Photo

Griffin Ewer
Object:

Ewer


Place of origin:

Germany (possibly, made) Mosan, Belgium (possibly, made)


Date:

ca. 1120 (made)


Artist/Maker:

Unknown (production)


Materials and Techniques:

Bronze, gilt, cast and chased; silver, niello


Museum number:

1471-1870



Victoria and Albert Museum

Griffin Ewer

  • Object:

    Ewer

  • Place of origin:

    Germany (possibly, made)
    Mosan, Belgium (possibly, made)

  • Date:

    ca. 1120 (made)

  • Artist/Maker:

    Unknown (production)

  • Materials and Techniques:

    Bronze, gilt, cast and chased; silver, niello

  • Museum number:

    1471-1870

Victoria and Albert Museum

Photo

The Studley Bowl
Object:

Covered bowl


Place of origin:

England, Britain (probably, made)


Date:

ca. 1400 (made)


Artist/Maker:

Unknown (production)


Materials and Techniques:

Silver, engraved and chased; silver gilt




Victoria and Albert Museum

The Studley Bowl

  • Object:

    Covered bowl

  • Place of origin:

    England, Britain (probably, made)

  • Date:

    ca. 1400 (made)

  • Artist/Maker:

    Unknown (production)

  • Materials and Techniques:

    Silver, engraved and chased; silver gilt


Victoria and Albert Museum

Photo
mediumaevum:

Back to basics
A Norman lord, who lived in a castle, controlled a vast area of land, sometimes as much as two counties. He could not farm it himself. He divided it into smaller estates called manors. Each estate was given to a lesser lord. He was sometimes called the lord of the manor. The lord of the manor would give his loyalty and his service to the overlord in exchange for the estate.
The Manor House: The lord of the manor built the manor house. It usually had a tower and a look-out post. Farm buildings, such as stables, barns and cow byres, were built close by.

mediumaevum:

Back to basics

A Norman lord, who lived in a castle, controlled a vast area of land, sometimes as much as two counties. He could not farm it himself. He divided it into smaller estates called manors. Each estate was given to a lesser lord. He was sometimes called the lord of the manor. The lord of the manor would give his loyalty and his service to the overlord in exchange for the estate.

The Manor House: The lord of the manor built the manor house. It usually had a tower and a look-out post. Farm buildings, such as stables, barns and cow byres, were built close by.

Photo
demonagerie:

And on a lighter note - illuminated manuscript cookies from Luminarium Blog.

demonagerie:

And on a lighter note - illuminated manuscript cookies from Luminarium Blog.

Photo

Crossbow

Germany, 15th century


Date: c. 1460-1470
Medium: wood (walnut?) inlaid with bone; horn; iron and steel; composite bow (horn and parchment)
Dimensions: Overall - l:87.00 cm (l:34 1/4 inches) Wt: 3.74 kg Bow - w:74.50 cm (w:29 5/16 inches) Butt - w:4.20 cm (w:1 5/8 inches)



Cleveland Museum of Art

Crossbow

Date: c. 1460-1470

Medium: wood (walnut?) inlaid with bone; horn; iron and steel; composite bow (horn and parchment)

Dimensions: Overall - l:87.00 cm (l:34 1/4 inches) Wt: 3.74 kg Bow - w:74.50 cm (w:29 5/16 inches) Butt - w:4.20 cm (w:1 5/8 inches)

Photo

Albarello with Pseudo-Kufic Letters

Spain, Paterna, 14th century


Date: 1300s
Medium: tin-glazed earthenware (majolica)
Dimensions: Overall - h:21.60 cm (h:8 1/2 inches)
The Muslim occupation of Spain brought the arts and skills of the Islamic world to Europe and led to the flowering of majolica throughout the continent. This vessel was made in Paterna, near the Christian port of Valencia. Its design and decoration, featuring a band of pseudo-Kufic (fake Arabic) letters, suggests a strong Muslim influence, the subtle blend of the Islamic and the Spanish known as Hispano-Moresque.



Cleveland Museum of Art

Albarello with Pseudo-Kufic Letters

Date: 1300s

Medium: tin-glazed earthenware (majolica)

Dimensions: Overall - h:21.60 cm (h:8 1/2 inches)

The Muslim occupation of Spain brought the arts and skills of the Islamic world to Europe and led to the flowering of majolica throughout the continent. This vessel was made in Paterna, near the Christian port of Valencia. Its design and decoration, featuring a band of pseudo-Kufic (fake Arabic) letters, suggests a strong Muslim influence, the subtle blend of the Islamic and the Spanish known as Hispano-Moresque.

Photo

Crescent-Shaped Earring

Byzantium, Constantinople?, Byzantine period, 11th century


Date: 1000-1100
Medium: gold filigree with cloisonné enamel
Dimensions: Average - h:2.30 w:2.60 cm (h:7/8 w:1 inches)



Cleveland Museum of Art
I think Isabela would like this

Crescent-Shaped Earring

Date: 1000-1100

Medium: gold filigree with cloisonné enamel

Dimensions: Average - h:2.30 w:2.60 cm (h:7/8 w:1 inches)

Cleveland Museum of Art

I think Isabela would like this

Photo

Ring

England, 14th century


Date: 1300s
Medium: gilded silver, sapphire
Dimensions: Diameter - h:2.90 cm (h:1 1/8 inches)

Tradition holds that this ring was found in a garden in Winchester, England. In the 14th century, rings were worn in large numbers-four or five on one handl. The symbols of the sun and moon and the clasped hands found on this ring suggest a sentimental relationship between a man and a woman.

Ring

Date: 1300s

Medium: gilded silver, sapphire

Dimensions: Diameter - h:2.90 cm (h:1 1/8 inches)

Tradition holds that this ring was found in a garden in Winchester, England. In the 14th century, rings were worn in large numbers-four or five on one handl. The symbols of the sun and moon and the clasped hands found on this ring suggest a sentimental relationship between a man and a woman.

Photo

Intaglio with Male Portrait Bust

Byzantium, 6th century


Date: 500s
Medium: amethyst with gold mount
Dimensions: Overall - h:4.30 w:2.50 cm (h:1 11/16 w:15/16 inches)

Department: Medieval Art
Type of art work: Glyptic

Cleveland Museum of Art

Intaglio with Male Portrait Bust

Date: 500s

Medium: amethyst with gold mount

Dimensions: Overall - h:4.30 w:2.50 cm (h:1 11/16 w:15/16 inches)

Department: Medieval Art

Type of art work: Glyptic

Cleveland Museum of Art

Photo

Ring Money

England (Ancient Britain), 1st century B.C.


Date: c. 100-50 B. C.
Medium: gold

Department: Medieval Art
Type of art work: Coins
Credit Line: The Norweb Collection

Cleveland Museum of Art
I hadn’t heard of ring money before. I’ve done a little research; the Internet suggests this was a Celtic phenomenon (though you can find examples in other cultures, such as ancient Egypt). It’s unclear if these were meant to be used like coins (variations in shape and design, as well as material, suggest that there weren’t set denominations) or if this was jewelry that could be used as a form of proto-money. Or maybe it was a combination, or varied by time and place, etc. Anyway, here’s a look at an alternative system of payment.
If you know more, please drop me a line.

Ring Money

Date: c. 100-50 B. C.

Medium: gold

Department: Medieval Art

Type of art work: Coins

Credit Line: The Norweb Collection

Cleveland Museum of Art

I hadn’t heard of ring money before. I’ve done a little research; the Internet suggests this was a Celtic phenomenon (though you can find examples in other cultures, such as ancient Egypt). It’s unclear if these were meant to be used like coins (variations in shape and design, as well as material, suggest that there weren’t set denominations) or if this was jewelry that could be used as a form of proto-money. Or maybe it was a combination, or varied by time and place, etc. Anyway, here’s a look at an alternative system of payment.

If you know more, please drop me a line.